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    Sunday, November 02, 2008

    Miscellaneous: Your Samhain Weekend Roundup

    The Black Scorpion (1957). This low-budget creature feature was our Halloween evening entertainment. Ignore the scorpions’ “faces” and focus instead on the tremendous stop-motion work by Willis O’Brien and Pete Peterson. No less an authority than Michael Weldon’s Psychotronic Encyclopedia of Film (now celebrating its 25th anniversary) says: “The terrifying huge scorpions make the monsters in most other films look pathetic.” Star Mara Corday is so much of a ringer for Gina Gershon that it lends a whole new layer of meaning to the proceedings.

    The movie has a special place in my heart because of the circumstances during which I first saw it. I was nine years old, visiting family in Ireland with my mother. She noticed that the movie would be coming on at two in the morning and suggested that we watch it together. Sure enough, she woke me at 1:45 AM with tea and cookies at the ready. I sat with her in my grandfather’s living room watching giant scorpions rampage across Mexico, then went back to bed and slept like an angel. It’s funny to think she had me figured out that early.

    Pride and Glory (2008). After all the trouble this movie had, it’s almost unfair of the New York Times’ Dan Barry to have a go at it in an admittedly funny piece about the depiction of Irish Catholic New York cops. But Pride and Glory can take the heat. It doesn’t break new ground, but director/co-writer Gavin O’Connor, the son of an NYPD officer, knows the terrain and gives it a gritty, lived-in texture. Colin Farrell continues his string of terrific performances. Jon Voight’s teary Christmas dinner speech would be right at home in any number of Keenan family gatherings. I could have done without the reel on the jukebox during the bar fight. But the one cliché that did stand out – Edward Norton’s character living on a boat – has nothing to do with being Irish, and O’Connor takes pains to justify it. Smart, solid filmmaking.

    Earshot Jazz Festival. I missed most of Seattle’s premiere jazz event thanks to traveling. But we did squeeze in the Phil Markowitz Trio at Tula’s last night, and we’re glad we did.

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